--Motel Art Improvement Service-A Serial Graphic Novel
  --Death in Jersey—The State Against Modern Medicine
  --Partisan Video—James
  --Old Money
  --Happily Never After, or, The Rubbish Tower
  --A Play at Contrition
  --Losing Evangelicals
  --State-By-State Breakdowns-Governorships
  --State-By-State Breakdowns-The Senate
  --Pataki and the Incumbocrats

—Death In Jersey—The State Against Modern Medicine
—Should White Rappers Be Executed?
—Hell Is Other Hacks, or, a Good Time To Be in Local Politics
—Sex (in a Tree) in the City
—“LOVE IS FEAR” — A Report From the Academy

—Welcome To Lolita-Land
—Filmed Assault? Tim Marchman Talks To Regan Starr
—Wes Anderson and the Aesthetics of Autism
—Anthony Haden-Guest—“Too Uptown for Downtown and Too Downtown for Uptown”
—Our Man on Achewood

I think Hemingway’s main fault here is that he didn’t plant a nice big series of moral signposts for people whose definition of a good book requires them. Hemingway’s genius was his refusal to do this. Steinbeck’s was his ability to do it on a huge, societal scale, without cant, a feat you are a long way from matching. Which, I presume, is why you teach.

—Boopboopbedoop on Hemmingway… That Shit! Reconsidering the Sun Also Rises